The hard-hitting, erratic, net-rushing player is a person of impulse. There is no real system to his/her game, no comprehension of your game. He will make brilliant coups on the spur of the moment, largely by instinct; but there is no, mental power of consistent thinking. It is an fascinating sort of character.
The most unnerving player is the one who mixes his/her style from back to fore court at the direction of an ever-active mind. This/her is the player to study and learn from. He is a player with a definite intention. A player who has an answer to every problem you present him in your game. He is the most subtle opponent in the world of tennis. He is of the school of Brookes. Second only to him is the player of slavish determination that sets his/her mind on one strategy and sticks to it, bitterly, fiercely fighting to the end, with never a thought of changing.
This is the player whose psychology is rather easy to understand, but whose mental standpoint is difficult to upset, for he never allows himself to think of anything except the business at hand. This/her player is your Johnston or your Wilding. I respect the intelligence of Brookes more, but I admire the determination of Johnston.
Pick out your sort from your own mental processes, and then plan your game along the lines best suited to you. When two men are in the same class as regards stroke and equipment, the determining factor in any given match is the mental standpoint. Luck, so-called, is often seizing the psychological advantage of a break in the game, and turning it to your own advantage. We hear a great deal about the “shots players have made.” Few realize the importance of the “shots players have missed.”
The psychology of missing shots is just as important as that of making them, and at times a miss by an inch is of more value than a return that is killed by your opponent. Let me explain. A player forces you far out of court with an angle-shot. You run hard to it, and getting there, drive it hard and fast down the side-line, missing it by an inch. Your opponent is surprised and put off his stride, understanding that your shot might just as well have gone in as out. He will expect you to attempt it again and he will not risk it next time. He will try to play the ball, and may make an error. You have thus stolen some of your opponent’s confidence, and increased his/her chance of error: all this by a miss.
If you had just tapped back that ball, and it had been killed, your opponent would have felt even more confident of your inability to put the ball out of his/her reach, while you would merely have been winded for no reason.
Let’s suppose that you had succeeded with that shot down the sideline. It was an apparently impossible achievement. First it amounts to TWO points, because it took one away from your opponent that should have been his/her and gave you one that you should never have had. Second it also worries your opponent, because he feels that he has lost a big chance.
The psychology of a tennis match is fascinating, but readily understandable. Both men start with equal chances. Once one player establishes a real lead, his/her confidence goes up, while his/her opponent worries, and his/her mental viewpoint becomes poor. The sole objective of the first player is to hold his/her lead, thus maintaining his/her confidence.
If the second player pulls even or pulls ahead, the inevitable result is an even more drastic contrast in psychology of the players. First, there is the natural confidence of the leader of the game, but it is boosted by the great stimulus of having turned a seemingly inevitable defeat into a probable victory. The case of the other player is the reverse. He is apt to lose confidence and play worse. The breakdown of his game plan soon follows.
If you are into the psychology of tennis, you ought to visit our website entitled Tennis Tips for Beginners
Ten Film Idol Obituaries From Ten Years Ago.
Saturday, May 1st, 2010It is common to hear people say that time flies and it is true. I have put together a list of screen idols who passed away ten years ago. When I began researching this list of screen idols’ obituaries, I was surprised to read who had died and how old they had become when they died. I have listed them by date. Doesn’t time fly?
Hedy Lamarr: 86, Viennese born film star, whose seductive beauty tempted all the male stars of the 1920’s and 30’s. Credited as co-inventor (with composer George Antheil) of a patented device for radio-controlled missiles. Old age, Orlando, Fla., Jan 19, 2000.
Durwood Kirby: 88, Kentucky born TV personality, announcer and foil to Garry Moore. Host of ‘Candid Camera’. Cause undisclosed, Fort Myers, Fla., March 15, 2000.
Claire Trevor: 91, Brooklyn-born film actress. The brash moll in ‘Stagecoach’ and the Oscar-winning alcoholic singer in ‘Key Largo’. She played in nearly 70 films. Of respiratory disease, Newport Beach, Calif., April 8, 2000.
Douglas Fairbanks, Jr: 90, U.S. actor and producer. He created a picture career despite being under his father’s shadow. Best known for ‘Gunga Din’ and ‘The Prisoner Of Zenda’ in the 1930’s. Cause undisclosed. New York, May 7, 2000.
Sir John Gielgud: 96, legendary British actor. Long time star of stage and screen in the UK and US. Remarkable Shakespearean actor. Won an Oscar for ‘Arthur’. Old age, Aylesbury, UK, May 21, 2000.
Walter Matthau: 79, U.S. actor. Best known as Oscar Madison in the ‘Odd Couple’. He was everybody’s favourite grumpy old man. Of a heart attack, Santa Monica, Calif., July 1, 2000
Sir Alec Guinness: 86, renowned British actor. Best known for Oscar-winning performance as the mad colonel in ‘Bridge Over The River Kwai’ and Obi-Wan Kanobi in ‘Star Wars’. Very versatile actor. Old age, West Sussex, UK, Aug. 5, 2000.
Loretta Young: 87, U.S. movie star from Hollywood’s golden age of the 1930’s and 40’s. Oscar winner for ‘The Farmer’s Daughter’ (1947). Emmy winner for ‘The Loretta Young Show’ (1954-63) on TV. Of ovarian cancer, Los Angeles, Aug. 12, 2000.
Richard Farnsworth: 80, U.S. actor. In films for 60 years, first as a stunt man, then at 57 as an actor. Twice nominated for an Academy Award including ‘The Straight Story’. Suicide, Lincoln, N. Mexico, Oct. 6, 2000.
Steve Allen: 78, U.S. comedian, entertainer and songwriter, who pioneered the late-night TV show format of the. He wrote over 5,000 songs, including ‘This Could Be The Start Of Something Big’ and ‘Impossible’. An apparent heart attack in Los Angeles, Calif. Oct. 31, 2000.
Owen Jones, the author of this article, writes on many subjects, but is currently involved with custom wall calendars If you have an interest in calendars, organizers or promotional calendars, please go over to our website now at Promotional Desk Calendars
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